Vani Jairam’s entry into the Tamil f!lm world as a play-back singer in the 1970s happened when it was dominated by singers such as P. Susheela, S. Janaki and L.R. Eswari. Gifted with a unique voice and strong grounding in Carnatic and Hindustani classical music, she claimed her place that was retained for another three decades singing for heroines from K.R. Vijaya to Revathi. She worked with music directors S.M. Sub-baiah Naidu, M.S. Viswanathan (MSV), K.V. Mahadevan, Sankar-Ganesh,Ilaiyaraaja and A.R. Rahman. If Malligai En Mannan Mayangum song in the f!lm Dheerkasumangali captured the boundless love and a#ection of a house-wife to her husband of that period in the music of MSV, Kavithai Kelungal Karuvil Piranthathu Ragam in Punnagai Mannan continues to remain one of the most vibrant numbers scored by Ilaiyaraaja.
“M.S. Viswanathan himself told me that I should have come to the Tamil f!lm world 25 years ago. It was a pleasure working with him and he also enjoyed working with me. What great gnanam [wisdom] you have, he would say. I am saying it now and do not think that I am boasting about myself,” Vani Jairam had said in an interaction with the fans of Viswanathan. She grew up in a house filled with music. Her mother was a trained singer and two sisters gave performances in the name of Vellore Sisters. She studied at Lady SivaswamiIyer School, in Chennai, and later in Queen Mary’s College. She also worked at the State Bank of India in Hyderabad before becoming a full-time playback singer. “It was strange that Vani, a Tamil by birth, rendered her first song for the Hindi !lm Guddi by Bengali director Rishikesh Mukherjee in the music of Vasanat Desai, a Maharashtrian,” said historian of Tamil film music Vamanan in his book Thirai Isai Alaigal. The song was Bole Re Papihara. But it is said she could not survive the politics of the Hindi !lm industry and found ‘Kodambakkam’ comfortable and convenient. Her !rst Tamil song, Pon Mayamana Kalam Varumentru Poovizhi Kaatatume, was recorded by S.M. Subbaiah Naidu for the film Thayum Seyum. But it was Mallaigai En Mannan Mayangum song that echoed in every nook and corner of Tamil Nadu. It is said that K.R. Viajya, the heroine of the film, was keen that Vani Jairam should render the song. “There was a new crop of talent including K.J. Yesudas, S.P. Balasubramaniam and Jayachandran and MSV needed a female voice to pair with them. Vani Jairam perfectly suited the slot,” said Mr. Vamanan.
When MGR launched the All India Anna Dravida Munnetra Kazhagam (AIADMK), the theme song Vaasal engum Rettai Illai Kolamidungal (draw the two leaves kolam at every doorstep) rendered by Vani Jairam, became the anthem for the party. “While her voice has clarity, she as a singer had perfect control over her voice, a skill that cannot be found in all singers,” said nagaswaram player Enjikudi M. Mariappan. Vani Jairam’s voice and her songs, indeed coincided with the golden period of Tamil !lm songs, but also contributed to making the era ‘golden
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